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D’Vorzon grew up in Abstract
Expressionism and took what she needed
for her mature work. From the 50’s
to the 80’s work includes Light
Shaft Series, VShafts,
Drip series before she became
involved with water images. |
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The
ARKTIKOS series comes from
D’Vorzon’s concept of
suspended or hidden life in the ice. |
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Working
in Quilin, China, D’Vorzon discovered
an affinity to Asian art. In addition
to paintings, works on rice paper,
she developed aluminum screens to
express the experience of being on
the river. |
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D’Vorzon
worked in the swamps in Florida and
Louisiana, drawn by the visions of
birth, death, and renewal that she
experienced there. At that time she
began to develop the ongoing diptych
form in her paintings. The wetlands
of Eastern Long Island also attracted
her and it was there that she began
her exploration of painting the Seen
and the Unseen. |
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Although
exhibiting her photographs of nature,
D’Vorzon never worked from them
in her paintings. She does use them
for her digital prints but there are
great changes made in this process.
Combining poetry in the digital print,
D’Vorzon is creating a new Words
and Images series with a great
variety of poetical excerpts. |
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These paintings are inspired by D'Vorzon's experience of being in Bali, both by the people and their religion as well as the physical environment. |
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Paintings which deal with Jewish Themes. |
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These
are various works that do not fit
exactly into the ongoing “series”,
but are meaningful in themselves.
The Leaf As Metaphor Series
(works on paper) is one of these investigations. |
