While women artists of past generations have considered it a compliment to be told that their work was “strong like a man’s”, Ms. D’Vorzon glories in her femaleness. She relates to the primal forces in nature and produces paintings of equal force. The force of her feeling of being within nature that is both beautiful and terrigying has produced a body of fwork glorious in its color and frantic in its rendition. Ms. D’Vorzon usues her paint with great abandon. It drips and swirls, is transparent as water should be, and yet in other areas, it is thick, almost harsh as it comes from the tube. It is a strong and jpersonal expression of a deeply felt emotion.

Eva Ingersoll Gatling